Using the Redshift Object tag allows you to add displacement or render splines, particles and matrices without the need for geometry. Two examples of a Multishader network allowing you to combine multiple textures in one material channel and a Material Switch example, so you can apply different materials to your Mograph objects. Create random coloured clones using one Redshift material and define the range of colours using Fields or with a Ramp.
The set includes a collection of materials specific to Mograph. Explore world, camera and object space as falloff types which offer unique effects. Work with Redshift’s nodes to add wear and tear to edges, or dust settling on the top of the surface. This library is a great way to learn how particular shaders work in combination with specific objects in your scene as many of these examples also require Redshift Objects, Tags and Mograph setups to function correctly.Ĭreate dispersion, absorption and sub-surface scattering.
Each material includes remarks in the network to explain the nodes. 01.A collection of 62 pre-build setups for Cinema 4D which demonstrate Redshift’s most important and useful nodes. If you are a Redshift and Cinema 4D user, learning to get the most from Redshift Proxies can speed up your workflow and reduce the computational load of your scene. If the Redshift Proxy is from an animated Cinema 4D file, the specific frames required can easily be selected in the master Cinema 4D scene. Each Redshift Proxy duplicate is then assigned its own material set, which when mixed with Cinema 4D's mograph tools, can allow a lot of variation in a scene with the minimal amount of geometry being loaded. Using this is perfect for cars, rocks, crowds as well as various types of foliage where one Redshift Proxy in the Object List can be duplicated many times in the master scene. Aside from the better viewport and render speed, a Redshift Proxy offers the ability to reference different materials within the master scene by changing the prefix of a material. Redshift Proxies in Cinema 4D offer several advantages over the native instancing tools.
Where Redshift Proxies are really useful is for geometry-heavy elements, which are only of secondary importance to the scene, for example trees and foliage. Proxies can be either still or animated scenes.
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